“Dhurandhar impact”! Whatever comes in the national interest based on true facts is always criticised by the anti-nationals; Nationalists appreciate director Aditya Dhar

“Dhurandhar impact”! Whatever comes in the national interest based on true facts is always criticised by the anti-nationals; Nationalists appreciate director Aditya Dhar

POONCH TODAY NEWS

POONCH: Aditya Dhar’s directed Dhurandhar movie has sent shockwaves in Pakistan and among the anti-nationals living in the territory of Bharat. The entire movie (both parts) is based on true facts related to national and internal security interests. The director of the movie and the cast played their role in a professional manner in exposing Pakistan.

The major events which took place in Indian history were shown perfectly in the national interest. The movie which has put nation and nationalism on the top has been able to unite the nationalist-minded people across the country, and this thing is not digestible to the anti-nationals who have started to call it fake propaganda and a BJP press conference. The anti-nationals forget that in the majority of underworld-sponsored Bollywood movies, huge propaganda was served to the Indian audience under a well-planned pro-Pakistani schema of breaking the Bharat internally. Out of twenty-four movies written by the duo Salim-Javed, the characters from the majority community were shown in a negative and questionable light, in addition to showing majority-community deities as powerless. There are hundreds of examples of the old Bollywood movies which were made under a pro-Pakistani agenda to dishonour the deity of the majority community and to engineer internal division in Bharat. A brazen example is the movie PK of Aamir Khan, where majority community deities were mocked openly. The underworld-sponsored Bollywood created fake narratives mostly targeting the national interests and the sentiments of the peace-loving majority community of the country. In the famous movie Deewar, which was released on the 24th of January 1975 and written by the duo of Salim Khan and Javed Akhter, there are many scenes where the importance of majority community deities was shown as low, but on the other hand, symbolic badges were shown as high-powered. In the movie, Amitabh Bachchan (Vijay) was shown with the badge (Billa No) on his right arm, which claimed to have protected him from various dangerous situations, including a shootout. In the climax, the actor Vijay faces mortality after losing the symbolic badge. But he dies in a temple after losing that symbolic protection (false propaganda). It clearly shows that huge efforts were made by the duo of Salim-Javed to show that only the symbolic badge is powerful and not majority communities’ deities and temples. Likewise, huge fake narratives were floated in Bollywood which totally worked against the national interest. But this movie, Dhurandhar, has ignited a sense of nationalism among the real Indians by showing the story based on real facts. Former DGP of J&K police, Dr S.P. Vaid, said, “What’s shown about gangsters like Atiq Ahmed and Dawood Ibrahim in the films is the bitter truth. Earlier, when films were made with Dawood Ibrahim’s money, no one had a problem. But now, when the truth is being shown, it’s making people uncomfortable. ” It’s a fact that anti-nationals living inside Indian territory always worked against the national interest and were seen launching various propaganda to describe movies based on truth and nationalism as fake. Whatever the outcome of this movie is, it’s a crystal-clear fact that the movie has sent massive shocks in Pakistan and among its ideological supporters living in the Indian territory. A social media user wrote, “Thirty-six years ago, anti-nationals in Kashmir tortured, murdered and threw Kashmiri pundits out of the valley. And now, a single Kashmiri Pandit, Aditya Dhar, has taken revenge and demolished the fake propaganda of anti-national gangs that Bollywood, for decades and misled the nation through various anti-Bharat and anti-majority agendas. Let anti-nationals continue to receive much-deserved shocks in the future also. Aditya Dhar deserves massive appreciation. “This movie has completely shattered the Pakistanis and the anti-nationals living in the Indian territory, but on the other hand, nationalists across the country have termed it a major milestone in Indian cinema history and are demanding the highest award for its director, Aditya Dhar. Complementing Aditya Dhar for his thrilling movie based on an acute sense of nationalism, another social media user wrote, “Kashmiri Pandits and Jews are unmatchable when it comes to nationalism and versatile brilliance. Backstabbing the nation is not in their genes. I request Aditya Dhar to make more such films because the people of India need more such doses of nationalism and not traditional fake narratives from the gang of Urduwood and Bollywood that have cheated the nation for decades under the influence of anti-national forces supported from across the border.”